Aug 092010

Capoeira is a fusion of martial arts, dance, acrobatics, music & pure energy; blended together in the cultural melting pot that is Brazil. Records are few and at times discordant about exactly how Capoeira came to being in Brazil. However the generosity and spirit of Capoeira still resonates today in Sydney, half a world away from its beginnings.

The widely accepted story is that capoeira was born in the 16th Century, when the Portuguese arrived in Brazil bringing with them slaves from all corners of Africa. Those African people were forced into a life of slavery. With no other means of self defence & expression they combined together their techniques of martial arts and defence to form a very early version of Capoeira; their symbol of freedom. Music, dance and rituals were incorporated, helping disguise the practice of a deadly and forbidden art to appear to be a folk dance.

In 1888 when slavery was abolished, capoeira remained prohibited. Capoeira was practiced by the poor and by those living on the streets and was not accepted by wider society. In 1920, thanks to the dedicated work of Mestre Bimba the ban was lifted and Capoeira walked into the modern world. Mestre Bimba modernised capoeira and opened the first Capoeira academy; making it more accepted by Brazilian society and receiving recognition from the Brazilian Government. Another famed capoeirista is Mestre Pastinha; who worked to keep the traditions and roots of capoeira alive, through the music, poetry, theatre and artistry of his capoeira style.

Presently in Brazil capoeira is practiced as a national sport through all levels of society. Capoeira is constantly evolving with many variations in style and traditions within different groups; but remains always an expression of freedom and self.

Capoeira began as means of self defence for the poor and enslaved, even after the ban on Capoeira was lifted it has remained a vehicle to freedom to many lower-class people who would otherwise not have many life opportunities open to them. It is a tradition in Capoeira schools in Brazil to teach children from poor families for free to help keep them off the street and away from crime. This tradition along with the rich culture that is capoeira has made its way around the globe to Chippendale, Sydney.

Contra Mestre Borracha of the group Capoeira Aruanda has recently opened a new Capoeira Academy in Chippendale. With this personal achievement he has taken the opportunity to give back to the community through Capoeira; which has given him so much. His own story begins in Brazil, in the remote city of Rio Branco – Acre, close to the Amazon in North West Brazil.  Coming from a large and poor family; his parents initially discouraged his participation in Capoeira due to its historical links to crime and the lower-class. However Borracha loved acrobatics and the challenge of capoeira, he persisted and was taught for free by local capoeiristas. In the coming years he began to teach others, and was eventually able to earn a living from Capoeira with which he helped to support his parents and family. His talent in Capoeira opened up many opportunities for Borracha to be able to travel around Brazil and eventually to Australia where he now lives.

Borracha has been teaching Capoeira in and around Sydney for 12 years, in various community centres and schools. This year, the opening of his own academy represents a landmark for him in his journey in capoeira and with it the opportunity to give pass on the goodwill that was given to him in his youth.

Partnering with Youth off the Streets Borracha is teaching free workshops this term to students from Key College, a school for homeless young people in Redfern. He will continue these workshops next term with two other Youth off the Streets Schools. The gift of capoeira has come full circle. It gave Borracha the ability to shape his own life and to reach for goals he would never have dreamed of. It is his hope that he can pass that on to all students of Capoeira Aruanda. A capoeira group can be more than a sports group. Borracha is working to make Capoeira Aruanda a family; a place with positive energy for everyone who walks through the door.

Jul 272010

Curious about capoeira?

Come along to our Saturday Beginners Class 1-2pm to try your first capoeira class for free!

Jan 162010

Welcome to the brand new Capoeira Aruanda Website! Please feel free to take a look around, check out the new content and get familiar with the new site. We will be adding extra content over the next few months including weekly updates for class schedules and changes, so make sure to come and check back often!

For Capoeira Aruanda Students, we have created a “Resources” page for you, including lyrics, our song booklet and some basic Portuguese vocabulary. Head on over, download the song booklet and be sure to bring it along to class with you!

Dec 232009

Capoeira Gradings (Batizados)

Mestre Bimba (the father of Capoeira Regional) invented the capoeira batizado, which in Portuguese means baptism. Originally in Capoeira Regional, a new student was “baptized” when he/she entered the roda to play for the first time. A more experienced student guided the newer student in the “roda” and would give the student an apelido (nickname) by which they would be known to other capoeiristas. The batizado was a kind of initiation ritual, and the purpose of the giving of an apelido was to make it much harder for the police to discover a capoeirista’s true identity.

These days however, the batizado is generally an annual event for most capoeria groups, and is not the first time a student plays in a roda. The main purpose of the batizado is the troca das cordas (changing of the belts). Students may receive a new belt, demonstrating that they have advanced in capoeira. The student receives the new belt before or after a game played against a Mestre in which they have to show that they have earned the right to wear the new corda. It is common practice for the Mestre or Teacher grading the student to execute a ‘take down’ and put the student on the floor to earn their belt. A Batizado event is also a chance for students in a school to come together with guests from other schools, and to train capoeira in intensive workshops.


Belts/Cordas

Posição

Level

white Crua Raw
whiteYellow Branca/Amarella White/Yellow
Yellow Amarella Yellow
yellowOrange Amarella/Laranga Yellow/Orange
Orange Laranga Orange
OrangeBlue Laranga/Azul Orange/Blue
Blue Azul
Graduado
Blue
Graduate
BlueGreen Azul/Verde
Graduado
Blue/Green
Graduate
Green Verde
Instrutor
Green
Instructor
GreenPurple Verde/Roxa
Instrutor
Green/Purple
Instructor
Purple Roxa
Professor Formando
Purple
Teacher Forming
PurpleRed Roxa/Vermelha
Professor
Purple/Red
Teacher
Brown Marron
Contra Mestre
Brown
Counter Master
Black Preta
Mestre
Black
Master
Dec 022009

Music

Uncategorized Comments Off
Music is of vital importance to the practice of capoeira. Without it there is no energy & no roda. To begin training capoeira you may just study the movements of capoeira, but as you progress through the levels of training you will learn to play the instruments and to sing the songs of capoeira.

The orchestra (Bateria) of capoeira is defined differently by each capoeira group. Traditionally in Capoeira Regional,  one berimbau and two pandeiros were used, and Capoeira Angola still uses all the musical instruments – three Berimbaus, an Atabaque, two pandeiros, an Agogo and Reco-reco to make up the Bateria of Capoeira Angola.

For a complete roda Capoeira Aruanda uses three Berimbaus, an Atabaque, two Pandeiros, and the use of Agogo is optional.

music

Berimbau

The berimbau is the primary instrument in Capoeira. Its leads the other instruments and dictates the rhythm and pace of the roda.

The origins of the Berimbau are not clear, though there is little doubt that it has African origins as there are no Indigenous Brazilian or European instruments like it; and similar instruments can be found in southern parts of Africa.

The berimbau consists of a wooden bow (verga – traditionally made from biribá wood, which grows in Brazil), strung tightly with a steel wire (arame – usually pulled from the inside of a car tire) secured from one end of the verga to the other. A gourd (cabaça), dried, opened and hollowed-out, attached to the lower portion of the Verga by a loop of tough string, acts as a resonator.To play this instrument one strikes the wire with a thin stick (baqueta – usually wooden) whilst pressing against the wire a small stone or coin (pedra or dobrão). Pressing the stone; hard, loosely or not at all you will create a different sound. a shaker (caxixi) may also be held in the same hand as the baqueta.

Berimbaus must be tuned for their sound to work harmoniously and there are 3 specific ways to tune a Berimbau.

Gunga (or Berra-boi): lowest tone.
Médio (others say viola): medium tone.
Viola (violinha if the medium tone is viola): highest tone